Painting by Erica Chappuis

A day to remember

Slave for one day

--Classy evening--


pre-

The scene

07:30

Wake up

07:45

Preparation of a sex slave

09:00

Going down

09:30

Patience and concentration

11:40

Oil sensation

13:00

Pissing Female Dog

14:00

Show-off

16:00

Stones & Trees

17:30

Two women, two dogs

18:00

Message to MF

later

Message to my friends

20:00

Classy Evening

Prepare for the night

... until my alarm rudely awakes me. The final few hours of my day as a slave. I rise from the tepid water and towel myself dry. My skin is rosy and rejuvenated, in spite of the multitudinous red spots and grazes.

Light sophisticated make-up

Sophisticated hair-dressing, an hetaire

I take my time doing my hair, taking it up as high as it will go. This makes my neck look thin and vulnerable. I have used this hairdressing-to-kill before. Eye make-up to match, the somethings to enlarge and highlight the eyes in an almost subliminal way. Do I look tired? I should. Instead, I look experienced. And confident. Arrogant. Ready to kill.

Evening dress, very sensual,

Swinging breasts largely visible, long slit for your legs No bra, no panties, suspenders with thin stockings

I have bought real silk stockings for the occasion. How soft - as I roll them out! I look at my shape in the mirror. They beautify my legs, which are crowned by my naked mound. Ravishing legs, like those of a virgin bride; a knowing virgin, however, who is ready for the proceedings (like I, the virgin slave, am for the final tests of my Master.)

My evening dress. Green velvet; deep green. An evening dress with a past. I bought it in a bold mood several years ago, when I went with my partner to a reunion with my old girlfriends and their partners. My old girlfriends of my wild days before my partner came along and put me back on the Right & Respectable Track. It was first and last worn then, to my partner's dismay (so he stated) and my girlfriends delight (and I imagine their partners'.) Cleavage, legs and, no less important, my back were visible, if they ever were. My dear partner knows little about my past (exhibition, teasing) and is not given to sharing me. I insisted, that time, and was there -radiant- for all to see.

Now, under different conditions, I slip it on once more.

Very high thin heels (4 or 5 ")

Several chains on your ankles

Any collar you want (leather, metal or jewels)

A little padlock fixed on this collar. No lead

I have obtained a length of industrial iron chain of medium weight. I have cut it in several short lengths: five for each of my ankles, three longer lengths for my neck. Having to be chained, I want to feel it. With a pair of pliers I fix five around my left ankle and five around my right, semi-tight. They rattle as I walk. (I have to be careful for my stockings!) The three remaining I fit around my neck in the same way, a padlock around them. The chains are semi-irreversibly fixed now and sufficiently heavy for me not to forget about them and what they represent.

I am ready to step into my heels. These are purposely bought. I love heels when they suit the occasion. The ones I owned were no higher than 3". I have, naturally, given the way I am, opted for 5" heels - the highest I could find. I have practised and manage well, but I am blissfully aware that I don't have miles to cover.

No witnesses. (Master, behold your loyal subject!) I look at myself in the mirror. The older, more interesting sister of that woman of several years back. Still attractive.

My breasts are largely visible. The marks from the clothespins stand out against my skin, pale against the dark green dress. The symmetry shows they are no accident. The grazes on my chest are shocking, frankly. What has this woman of the world done to be so afflicted? Master, I am proud of them. See, I smile in spite - or because - of them.

The split of my dress extends to above the end of my stockings, showing my bare thighs above the virgin white silk. The excessive heels naturally affect my posture: pronounced buttocks, curved back, prominent bosom.

The chains complete my attire. They are the antithesis to the elegant dress, the stockings I wear and denote what I am: no more than a slave.

Soft music, soft drink or Champagne. No whisky

No electric light,Only candles light, at least 20 candles.

Soft music: slow Argentinean tangos. Champagne, of course, and water.

I light a candle and switch off the electric light. The candle stand takes five candles. I light them all and set the stand in front of the large mirror. (I see my legs, part of my naked thigh, my cleavage in passing - Master, please be watching!) The glow in the room is evocative, mysterious.

I light a further fifteen candles on three stands and spread them about the room.

20:30

Ice on fire

22:00

The end of myself?



Copyright by Vanna Vechian, 1999. Reproduction allowed only for personal use.



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